Gerhard Richter 24.10.90
It does not seem useful that we become fewer and fewer and come to an end when we have learned so much. Over and over again, later generations have to strive for decades to regain a standard of experience long since reached before.The much despised 'artistic scene of today' is quite harmless and friendly when we do not compare it with false claims: it has nothing to do with traditional values that we uphold (or which elevate us), it has virtually nothing at all to do with art. Thus the 'art scene' is not despicable, cynical or without spirit but as a temporarily blossoming, busily proliferating scene it is only a variation on a perpetual social game that fulfils needs for communication, in the same way as sport, stamp collecting or breeding cats. Art happens despite this, rarely and always unexpectedly, never because we make it happen.
from the private journal of Gerhard Richter

pintura

en realidad son muy pocas las cosas q importan.
la pintura es algo indesifrable q si importa.
hay ciertas corrientes contemporaneas q pontifican q la pintura es un medio de expresion mas..
o q tiene q estar al servicio de una idea..........
son posiciones de gente gobernada x el intelecto y la soberbia.
la pintura no es una herramienta q se usa para demostrar lo inteligentes o contemporaneos q somos..
la pintura nos recibe...entramos dentro de ella.
tambien nos modifica.
hoy el arte contemporaneo abrio las tranqueras y se largaron los chanchos
pero no nos confundamos....
una cosa son cezanne, munch o richard prince y otra cosa son los grupos coorporativos locales (curador y sala o territorio incluido) con sus practicas de autocomplacencias acriticas.
es decir...una cosa es una cosa y otra cosa es otra cosa.
dic.09

serie PROMETEO & SISiFO.
estos 2 individuos son los limites del intervalo en el q nos movemos.